:fabrik

KLANG:fabrik creates individual immersive in-ear mixes for up to 16 musicians simultaneously. With super low latency and flexible I/O :fabrik elevates every monitoring experience.

DESCRIPTION

KLANG:fabrik combines the latest and finest HD audio algorithms with a multitude of flexible audio interfaces (i.e. MADI, Dante, compatible to optical ADAT) in order to work with professional mixing desks and stage boxes of any kind. Up to 16 musicians receive their individual immersive in-ear mixes with one KLANG:fabrik.

The mixes are sent back from KLANG:fabrik to radio transmitters or headphone amps via XLR, back to the ears of the musicians. Thanks to our high-performance processors, this can happen without any noticeable latency. Use our app on any device (iOS, Android, Windows or Mac), or the faders of your mixing desk to control KLANG:fabrik from where you are.

And there is more, KLANG:fabrik is at the same time fully flexible audio network router of up to 128 MADI inputs, 64 Dante inputs and 32 ADAT compatible inputs to up to 64 MADI outputs, 64 Dante outputs and 32 ADAT compatible outputs.

APPLICATIONS

KLANG’s cutting-edge, immersive products can dramatically elevate the quality of in-ear monitoring in any and every application. Our range has a solution for every scenario.

House of Worship

Every house of worship, regardless of its unique audio setup, ideally needs a flexible in-ear mixing solution that can adapt to a wide variety of scenarios. KLANG will effortlessly meet every requirement.

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Testimonials

“The whole 3D aspect of KLANG has brought a new level of clarity onstage, while simultaneously helping to lower the overall IEM levels. It’s not an exaggeration to say that DMI-KLANG has changed everything for the better.”

Lionel Richie – Lorin White – Monitor Engineer for Lionel Richie

“It’s been a journey to get him on in-ears over the past few years; he’s indicated that they don’t always feel natural, and he’s been prone to popping one or both of them out. But when we added the KLANG system in rehearsals, as soon as we threw up the ambience mics in his ears, we found that he’d leave his IEMs in all day, which was a great sign. It meant that everything just felt ‘real’ and he was enjoying himself. That was achieved with KLANG.”

Burna Boy – Duriel Mensah – Monitor Engineer for Burna Boy

“It wasn’t an option for me to go back to traditional stereo mixes. Everyone is really pleased with the KLANG system. It has provided Soprano and his musicians a much-needed sense of space in the monitor mix, resulting in a more natural soundscape. Why on earth would we ever change that?”

Soprano – Pascal Rossi – Monitor Engineer for Soprano

“Ultimately, there is no reason not to use KLANG as it offers nothing but benefits. Once you begin utilising the 3D mixing capabilities and experience the immersive space it creates within your mix, there’s no turning back. The expansion it provides, particularly when dealing with mixes containing numerous clicks, sequencers, and a vast array of keyboards, is truly immense. It’s truly a life changer!”

David Bisbal – Ian Alvarez – Monitor Engineer for David Bisbal

“I noticed that the mixes were becoming stale and they were regularly experiencing ear fatigue. They had stereo mixes, but they were sounding one-dimensional. They needed more space and dimensionality in their monitor mixing. I’d heard about the KLANG:konductor and checked out a demo at AVLX, and I loved it. I thought it was exactly what we needed.”

Community Bible Church – AJ Lebron – CBC’s Director of Audio and Production Coordinator for Events

“To me, KLANG is like installing a secret door where you normally ‘hit a wall’ trying to finesse an IEM mix to be the most useful, comfortable, and most importantly, inspiring and musical. Right where you think you can’t do much better with everything going on in a mix, the KLANG door opens”

Luke Combs – Michael Zuehsow – Monitor Engineer for Luke Combs

“KLANG has made my life so much easier, and it’s been a game-changer for keeping artists happy on stage. After all, if they’re happy, I’m happy!”

Sarah Brightman – Lewe Redlin – Monitor Engineer for Sarah Brightman

“The KLANG system noticeably improves sound quality, allowing for greater precision and control that leads to more dynamic performances. As someone who has experienced the advantages first-hand, I strongly encourage everyone to give it a try, as the benefits are evident right from the first song.”

Santiano – Ravi Rai – Monitor Engineer for Santiano

“The KLANG technology is taking something that’s already special and making it even more so. As you can tell in how we applied the DMI-KLANG processor to the streaming broadcasts, we like to take chances and experiment, and in this case, it created something truly remarkable.”

Minnesota Orchestra – Jay Perlman – Head Audio Engineer

“Altogether, the addition of the KLANG system has been a game changer, definitely for the better, for everyone.”

Olive Baptist Church – Allen Hendrix – Director of Media Production
See all testimonials

Support, Guides, Tech specs and webinars

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Support documents

Where to buy

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Where to buy

The ecosystem

Console Integration

The powerful workflow integration with DiGiCo SD/Quantum consoles lets the monitor engineer take advantage of fully working on their console surface – while enjoying the benefits…

:vokal

Immersive IEM Processor with maximum flexibility and user friendliness for installations in HoW and Theater…

:kontroller

KLANG:kontroller delivers fast tactile user control of channels, groups and immersive mixing via an intuitive interface….

Immersive
Mixing

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