Testimonials
“KLANG has so many features that I find valuable. The 3D sound placement is the stand-out one. It allows me to create a true-to-life experience for the artists, helping them feel like they are in the room, not enclosed by the in-ears.”
Ramón – Jonas Vikanes Alfhei — Monitor Engineer for Ramón
“It’s been like a 10-year journey for me already with KLANG, so it’s basically part of my toolkit now on almost every gig I do.”
Linkin Park – Pasi Hara — Monitor Engineer for Linkin Park
“It has taken our mixes to the next level, and we’re already using it with our other clients.”
Max Mutzke – Jan Brandt — Monitor Engineer for Max Mutzke
“KLANG’s clarity in rendering spatial audio means that even complex mixes with many layers remain clean and intelligible.”
A. R. Rahman – Mark Thomas — Monitor Engineer for A. R. Rahman
“KLANG continues that feeling of space and we can give recording artists back the feeling of being surrounded by their band mates, even if they’re on their own.”
High Mountain Studios – Lukas Gleich — Studio Owner
“Once they tried it, the musicians and engineers began really enjoying the clarity in the mix.”
Prestonwood Baptist Church – Will Schaefer — Systems Engineer
“With KLANG we managed to achieve enough separation so that the root notes are always present, and this means we no longer need to automate EQ.”
Rag’n’Bone Man – George ‘Sol’ Solidakis — Monitor Engineer for Rag’n’Bone Man
“Using KLANG makes me really happy. The band loves it, and my job is now much easier compared to how it was before. I am pretty sure that KLANG is here to stay and will be our system of choice for many more tours.”
The BossHoss – Manuel Knigge — Monitor Engineer for The BossHoss
“The flexibility that KLANG’s :vokal and :kontrollers bring to in-ear monitoring for large-scale worship-music applications is really fantastic, and that’s only gotten better with the new :vokal+ upgrade.”
The Crossing Church – Jeremy Bagwell — Skylark AV
“Nearly all my artists were able to lower the volume on their packs, which is a great thing especially on longer tours and shows. It means they are suffering less listening and ear fatigue, and it’s not limited by genre. KLANG can be beneficial and supportive in any case. It can really make the difference.”
Naomi Jon – Flo Herkert — FOH and Monitor Engineer for Naomi Jon
“We remember that first tour with KLANG as a halcyon experience, it was just one of those where everything went right and using KLANG was a contributing factor.”
Nitin Sawhney – Dave McEwan — FOH for Nitin Sawhney
“Since using KLANG, the band has really connected and grown stronger together, they wouldn’t want to think about doing a show without KLANG now.”