The audio dynamics associated with large and loud orchestras playing in challenging acoustic environments are well documented. Orchestra pits can be very tight and crowded, leading to a claustrophobic, boxed-in feeling for musicians using conventional in-ear monitoring. KLANG’s immersive system opens up the sonic environment, creating an inclusive space where musicians can play together in a relaxed and open atmosphere.
Orchestrating Your Mix
As theatre productions become more and more complex, the need to ensure that performers are able to deliver the best possible experience for the audience becomes simultaneously more challenging. KLANG’s easy-to-manage immersive mixing solution helps address these challenges to allow musicians to focus on their art, not their monitor mix.
Where sight lines between orchestra, lead performers and conductors are compromised, KLANG helps to maintain cohesion by creating an open listening space where musicians feel in-touch and together. With remote management of musicians’ mixes possible from any point in a venue, and full recall capabilities for changing setups – such as morning rehearsal or evening performance – KLANG makes the life of a performer much easier. Happy performers deliver the best shows.
From a full orchestra taking care of its own mix with :controller, to hundreds of channels easily processed and controlled with :konductor, KLANG’s flexibility, adaptability and reliability make it the perfect system for theatre productions on any scale.
“The system gives me this extra dimension. When I take into account the spatial placement it provides, it’s hard to see why anyone – bands, solo artists with musical accompaniment or any show – wouldn’t want to enjoy the benefits of KLANG.”
Jeff Wayne– Conductor and Composer
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“KLANG was instrumental to the project’s success, and the production crew couldn’t be happier. People from the visually impaired community were invited to one show, and it was very rewarding for us to receive feedback from them saying how much they were enjoying it. Our only concern with the production was ear fatigue from wearing headphones but, surprisingly, no one complained, which is a testament to how great this product is.”
’Til the End of the World, We’ll Meet in no Man’s Land’ – Uthaiyan Kumanan | Technical Director and Sound Designer
“The :fabrik is in use to enhance binaural sound-effects and create artificial rooms. We are happy with the result and reliability of the system. “
40-45 Musical – Thomas van Hoepen | Sound Designer
“The system gives me this extra dimension. When I take into account the spatial placement it provides, it’s hard to see why anyone – bands, solo artists with musical accompaniment or any show – wouldn’t want to enjoy the benefits of KLANG. “
The War of the Worlds – Jeff Wayne – Conductor and Composer
“What drew me in was how unique a product it is, how it’s the cutting edge of immersive mixing, and how that’s going to be what our students will be encountering when they graduate. It’s always been our approach here to expose the students to that kind of technology for theatre.”