Testimonials

“To be able to make a mix in which you position everything perfectly, delivering unparalleled balanced sound to the ears is very satisfying.”

Belgium Jazz Orchestra – Stijn Declercq – Sound Engineer at MONO

“They’ve been very impressed, whether they’re new to the professional aspect of this or have been doing it since they were using wedge floor monitors or just stereo IEMs.”

New Life Austin – TJ Feronti – Tech Director at New Life Austin

“It’s a remarkable enhancement for them due to the ease of setup, operation during rehearsals and shows, and, of course, the exceptional sound quality that KLANG delivers.”

Stadttheater Klagenfurt – Manuel Bundschuh – Head of Audio at Stadttheater Klagenfurt

“KLANG represents an entirely new realm of in ear monitoring. It’s a complete solution that truly sets you free!”

Antonis Remos – George Panolaskos – Monitor Engineer for Antonis Remos

“Furthermore, as a church that relies on a lot of volunteers, they may have people with a very wide range of abilities managing all those mixes. So they needed a platform that could manage high channel and stereo-output counts, would have an easy-to-use interface, and also sounded great. KLANG is the only one that checks all those boxes.”

Brentwood Baptist Church – Tim Corder – Diversified’s Vice President of Faith & Performance

“It’s much more aligned with how our ears and brains process information on a day-to-day basis, rather than simply putting on a pair of headphones and working with stereo limitations. It’s about trying to make it feel as natural as if you weren’t wearing headphones or in-ears. It just blew my mind!”

The Time Traveller’s Wife – Richard Brooker – Sound Designer at “The Time Traveller’s Wife”

“Once we got past rehearsals, requests from the band have pretty much stopped during the show. It’s a much more relaxing experience to listen to the KLANG mixes when we’re performing upwards of 75 to 100 shows a year.”

Pitbull – Matt Holden – Monitor Engineer for Pitbull

“I’m really happy with this setup and would never want to go back to left-right.”

Ricky Martin – Cesar Benitez Seilhammer – Monitor Engineer for Ricky Martin

“The band used to love my stereo mixes, but after using KLANG, everything is even way more enjoyable. Now, hearing stereo is just so sad. I don’t plan on ever going back; 3D IEM mixing is the way to go.”

Enrique Iglesias – Eddie Caipo – Monitor Engineer for Enrique Iglesias

“With the Quantum338 and DMI-KLANG, they can hear the difference because there’s no ear fatigue or straining to hear. This technology is making our work better.”

Karol G – Robinson Barrera – Monitor Engineer for Karol G

“It was amazing for me to have the freedom to build a mix to my liking and for it to be so well received by the artist. After 20 shows, Becky never wanted to make any additional changes to what we had built in rehearsals with Gabriel.”

Becky G – Lucas Pinzón – Monitor Engineer for Becky G

“I’m using the DMI-KLANG, which does wonders separating everything out, leaving room in the middle for whatever the main focus of the mix is. It gives a real sense of space where you can place things in their actual onstage orientation. Placing sounds around the listener makes everything seem less crowded and it’s easier to discern different instruments and lower the overall volume needed to pick things out. “

Arctic Monkeys – Will Doyle – Monitor Engineer for Arctic Monkeys