Testimonials

“It’s much more aligned with how our ears and brains process information on a day-to-day basis, rather than simply putting on a pair of headphones and working with stereo limitations. It’s about trying to make it feel as natural as if you weren’t wearing headphones or in-ears. It just blew my mind!”

The Time Traveller’s Wife – Richard Brooker – Sound Designer at “The Time Traveller’s Wife”

“Once we got past rehearsals, requests from the band have pretty much stopped during the show. It’s a much more relaxing experience to listen to the KLANG mixes when we’re performing upwards of 75 to 100 shows a year.”

Pitbull – Matt Holden – Monitor Engineer for Pitbull

“I’m really happy with this setup and would never want to go back to left-right.”

Ricky Martin – Cesar Benitez Seilhammer – Monitor Engineer for Ricky Martin

“The band used to love my stereo mixes, but after using KLANG, everything is even way more enjoyable. Now, hearing stereo is just so sad. I don’t plan on ever going back; 3D IEM mixing is the way to go.”

Enrique Iglesias – Eddie Caipo – Monitor Engineer for Enrique Iglesias

“With the Quantum338 and DMI-KLANG, they can hear the difference because there’s no ear fatigue or straining to hear. This technology is making our work better.”

Karol G – Robinson Barrera – Monitor Engineer for Karol G

“It was amazing for me to have the freedom to build a mix to my liking and for it to be so well received by the artist. After 20 shows, Becky never wanted to make any additional changes to what we had built in rehearsals with Gabriel.”

Becky G – Lucas Pinzón – Monitor Engineer for Becky G

“I’m using the DMI-KLANG, which does wonders separating everything out, leaving room in the middle for whatever the main focus of the mix is. It gives a real sense of space where you can place things in their actual onstage orientation. Placing sounds around the listener makes everything seem less crowded and it’s easier to discern different instruments and lower the overall volume needed to pick things out. “

Arctic Monkeys – Will Doyle – Monitor Engineer for Arctic Monkeys

“The band, which already plays with in-ears on a regular basis, was really taken with the possibilities KLANG gave them and the open and transparent mix. They reported to me, that it felt almost like playing without in-ears.”

Paulus Choir – Markus Gorges – Technical advisor and Head of Audio

“That is why we employed 55 KLANG:kontrollers and five KLANG:konductors, creating an immersive personal monitoring system for the 53-piece orchestra. This results in heightened clarity for each instrument’s sound. It also helped to reduce the players’ hearing fatigue and the need for high monitoring volumes, thereby significantly improving hearing protection.”

Jacky Cheung – Pan Weijie – System Engineer at Rightway Audio Consultants

“The whole 3D aspect of KLANG has brought a new level of clarity onstage, while simultaneously helping to lower the overall IEM levels. It’s not an exaggeration to say that DMI-KLANG has changed everything for the better.”

Lionel Richie – Lorin White – Monitor Engineer for Lionel Richie

“It’s been a journey to get him on in-ears over the past few years; he’s indicated that they don’t always feel natural, and he’s been prone to popping one or both of them out. But when we added the KLANG system in rehearsals, as soon as we threw up the ambience mics in his ears, we found that he’d leave his IEMs in all day, which was a great sign. It meant that everything just felt ‘real’ and he was enjoying himself. That was achieved with KLANG.”

Burna Boy – Duriel Mensah – Monitor Engineer for Burna Boy

“It wasn’t an option for me to go back to traditional stereo mixes. Everyone is really pleased with the KLANG system. It has provided Soprano and his musicians a much-needed sense of space in the monitor mix, resulting in a more natural soundscape. Why on earth would we ever change that?”

Soprano – Pascal Rossi – Monitor Engineer for Soprano