Testimonials
“They really appreciate the wideness of the mixes, especially the string players on Violin and Nyckelharpa (key fiddle). It had an enormous effect on their stage relationship, improving the accuracy of their intonation right from the very first rehearsal.”
Versengold – Tjado de Vries — Monitor Engineer for Versengold
“I’ve now completed three tours with Daði Freyer using KLANG and it’s been great.”
Daði Freyr – Sigri Hovde — Monitor Engineer for Daði Freyr
“Everyone can now hear more consistently and clearly because they have their own space. KLANG helps in so many ways.”
Feid – Carlos Dickson — Monitor Engineer for Feid
“I don’t need any external kit for KLANG or recording, just the two cards that sit in the back of the desk and a couple of bits of ethernet! I had read an article about rock band Sigur Rós’s monitor set up and they were using a SD12 with KLANG. Everything fitted neatly into a flight case that was the same width as the desk sitting on top and I thought ‘Yep that’s how I want to roll (quite literally) this summer!’.”
Keane20 – Hannah Brodrick – Monitor Engineer for Keane20
“KLANG’s system is remarkable for its quick setup.”
Shochiku Showbiz Studio – Yuichi Goto – Sound Engineer at Shochiku Showbiz Studio
“The joy of KLANG is that we can give the musicians much more space for their mix, which is really important for a show like this when there are so many elements to each song, and you want to stay connected to the audience.”
Ministry of Sound Classical – Leigh Davies – Monitor Engineer for Ministry of Sound Classical
“I tried hard to convince them that it’s life-changing, and they just didn’t believe me—until they heard it.”
Church Unlimited – Parker Gann – System Engineer at MessengerAVL
“[…] it becomes much more user-friendly and intuitive than other systems I’ve used.”