Testimonials

“The :fabrik is in use to enhance binaural sound-effects and create artificial rooms. We are happy with the result and reliability of the system. “

40-45 Musical – Thomas van Hoepen | Sound Designer

“Eighteen months ago the whole band moved from wedges to in-ears and the KLANG:fabrik system. From the first test we did, Danny was in love with KLANG. The system gives him width, depth and high separation, so he can hear even the smallest detail. In fact, the entire band just loves the space and the separation in the mix.”

Danny Robas – Soul Sebag | Sound Engineer

“We are using the Klangquelle to bring brilliant sound, in up to 192kHz, from our control rooms via the Dante network to every room in the Synchron Stage Vienna we want. As the Klangquelle can handle 4 different stereo mixes it is easy for us to provide what our customers need.”

Synchron Stage Vienna – Bernd Mazagg | Technical Director & Chief Audio Engineer

“My initial focus was to use KLANG just for Dallas; to make the switch to IEMs as comfortable as possible for him. I feel like we’ve done that. This is the first time he’s used in-ears exclusively, and it went great. He’s very comfortable with them already. “

City and Colour – Nathan Bond | Monitor Engineer

“The 3D space and feel is awesome! It is about as organic as playing with IEMs can get. With normal stereo, you are able to space instruments out, but it lacks depth, it is just flat. The 3D audio imaging really changes that! If I am the front man in the band or subbing in on bass, I can position everything as it relates on stage. Game changer! “

Chris Douglas – Worship Leader at National Community Church

“The quality of in-ear monitoring reaches new dimensions with the use of KLANG:fabrik. Especially complex and dense arrangements get cleaned up beautifully. The signals are there, where they belong – in the heads of the musicians. This possibility is unique. “

Ansgar Friemel – FoH and Production Manager for Henning Wehland

“Addicted to 3D. It’s an incredible tool for silent headphone concerts.”

Tobias Raunigk – Audio Engineer

“KLANG 3D is a great tool and convinces with great sound and 3D-image. We at ‘Universität für Musik und darstellende Kunst Wien’ (mdw) use the system for binaural AV-Production and as Monitor System for our Distance Learning-Projects.”

Thomas Lang – Recording Engineer at Artis-Recordings and Director of Audio-Video-Center at mdw

“For me KLANG is the only next step in monitoring. The transparency created through the new dimension is giving me the opportunity to follow every sound source without a single one disappearing. The band merges together and the groove is better than ever.”

Rolf Hering – Drums

“The band members benefit from better mixes, the silent stage allows us to have services with different volume levels without affecting the feel of what the musicians hear. At the same time, the Klang system is helpful in keeping our audio operators focused on the audience mix.”

Freie Christengemeinde Bremen – Dirk Meier | Engineer

“With KLANG’s 3D mixing InEar Monitoring gets a new definition. It creates a lot of spatiality and place for exact hearing. Through that shows with long durations are no longer a problem. Thanks to the KLANG Team for this innovative system.”

Gerry & Gary – Gary Hohlweg

“Vocalists can focus better on harmonies and have a natural feeling where everyone else is. “

Ralph Hopstaken – Collins Live Experience