“KLANG is truly immersive, and enables me to create spatial envelopment in the mix – it’s very special and there has never been anything like it,” concludes Morgan. “I do a lot of studio work mixing cinema sound and various mixes for streaming, and what strikes me is that KLANG can take these output formats and give them genuine spatial dimensions, which historically you can only do offline using plug-ins. KLANG can do all that live!”

Cineramageddon at Glastonbury – Dan Morgan | Sound Engineer

“KLANG was instrumental to the project’s success, and the production crew couldn’t be happier. People from the visually impaired community were invited to one show, and it was very rewarding for us to receive feedback from them saying how much they were enjoying it. Our only concern with the production was ear fatigue from wearing headphones but, surprisingly, no one complained, which is a testament to how great this product is.”

’Til the End of the World, We’ll Meet in no Man’s Land’ – Uthaiyan Kumanan | Technical Director and Sound Designer

“KLANG is a game changer. They’ve really set the bar high with their 3D technology. Easy to use, intuitive and providing a mix with so much depth, KLANG:fabrik is my new best friend.”

Roger Hodgson – Guillaume Briand | Monitor & FOH Engineer

“Eighteen months ago the whole band moved from wedges to in-ears and the KLANG:fabrik system. From the first test we did, Danny was in love with KLANG. The system gives him width, depth and high separation, so he can hear even the smallest detail. In fact, the entire band just loves the space and the separation in the mix.”

Danny Robas – Soul Sebag | Sound Engineer