Testimonials

“When I heard the results, I knew it would be really hard to go back to stereo. It’s very addictive. The sound environment created by the system feels so natural that in a few seconds you forget you’re wearing IEMs. Placing sources along the vertical axis makes it possible to get a ‘straight in the face’ sound without changing levels; it’s so natural that it feels like the system is playing a joke with you.”

Aleksey ‘Midas’ Korolev – Monitor Engineer

“Using KLANG gives an acoustic feel on stage. Even though this is EDM and there’s a very noisy crowd of upwards of 5,000 people, the orchestra can perform just as they normally would and with a beautiful dynamic. Everyone really enjoyed it and the crowd went wild.”

Ministry of Sound – Leigh Davis | Associate Head of Sound

“The reaction to the KLANG:fabrik 3D IEM monitoring systems we installed has been nothing short of amazing—every musician in town wants to try them out.”

New Life Austin – Terry Golden | FOH Mixer

“What drew me in was how unique a product it is, how it’s the cutting edge of immersive mixing, and how that’s going to be what our students will be encountering when they graduate. It’s always been our approach here to expose the students to that kind of technology for theatre.”

Lake Travis High School Performing Arts Center – K.J. Bartosh | Managing Director

“After almost 25 years on stage we know very well what we like and what we DON’T like. KLANG became a important part of our live system very fast. KLANG gives me a new delight in playing no matter if on a big festival or in club-atmosphere.”

Die Jungen Zillertaler – Michael Ringler

“KLANG is truly immersive, and enables me to create spatial envelopment in the mix – it’s very special and there has never been anything like it,” concludes Morgan. “I do a lot of studio work mixing cinema sound and various mixes for streaming, and what strikes me is that KLANG can take these output formats and give them genuine spatial dimensions, which historically you can only do offline using plug-ins. KLANG can do all that live!”

Cineramageddon at Glastonbury – Dan Morgan | Sound Engineer

“KLANG was instrumental to the project’s success, and the production crew couldn’t be happier. People from the visually impaired community were invited to one show, and it was very rewarding for us to receive feedback from them saying how much they were enjoying it. Our only concern with the production was ear fatigue from wearing headphones but, surprisingly, no one complained, which is a testament to how great this product is.”

’Til the End of the World, We’ll Meet in no Man’s Land’ – Uthaiyan Kumanan | Technical Director and Sound Designer

“KLANG is a game changer. They’ve really set the bar high with their 3D technology. Easy to use, intuitive and providing a mix with so much depth, KLANG:fabrik is my new best friend.”

Roger Hodgson – Guillaume Briand | Monitor & FOH Engineer

“Everyone loves it for its sound, ease of use and simplicity. The spatial clarity of KLANG’s in-ear mixes is unlike anything we’ve ever experienced and it has changed everything.”

United Methodist Church of the Resurrection – Jordan Tracy | Audio Engineer at UMCR

“The :fabrik is in use to enhance binaural sound-effects and create artificial rooms. We are happy with the result and reliability of the system. “

40-45 Musical – Thomas van Hoepen | Sound Designer

“Eighteen months ago the whole band moved from wedges to in-ears and the KLANG:fabrik system. From the first test we did, Danny was in love with KLANG. The system gives him width, depth and high separation, so he can hear even the smallest detail. In fact, the entire band just loves the space and the separation in the mix.”

Danny Robas – Soul Sebag | Sound Engineer

“We are using the Klangquelle to bring brilliant sound, in up to 192kHz, from our control rooms via the Dante network to every room in the Synchron Stage Vienna we want. As the Klangquelle can handle 4 different stereo mixes it is easy for us to provide what our customers need.”

Synchron Stage Vienna – Bernd Mazagg | Technical Director & Chief Audio Engineer