DMI-KLANG is a powerful Immersive In-Ear Mixing Expansion for DiGiCo Consoles and DiGiCo OrangeBox.


Following in the footsteps of KLANG:fabrik, DMI-KLANG is the first hardware product after KLANG and DiGiCO joined forces. KLANG took their immersive mixing core and build it with todays latest FPGA technology. The ultra fast and powerful FPGA architecture enables 16 immersive in-ear mixes for 16 musicians of 64 input channels single and double speed sampling rates at a processing latency of a quarter of a millisecond.

Integrated into a DMI card it connects directly to DiGiCo SD and Quantum console’s internal audio stream without any additional hardware IO or overhead. Route any audio channel from your console to DMI-KLANG and return the mix to the Aux merge input. Via the DiGiCo KLANG console link you can stay in usual mixing workflow, use your snapshots, faders and knobs, but with all the benefits of immersive in-ear mixing. Mounted into a DiGiCo OrangeBox the DMI-KLANG can be connected to any console with e.g. MADI (Optical, TP, BNC), Optocore, Dante and many other available DMI expansion cards. Or it can be installed in KLANG:konductor for additional processing.

This unrivaled mixing capability makes DMI-KLANG the perfect companion for any monitor engineer who needs to deliver better mixes with lower levels to their artist. If you are looking for further on-board flexibility with MADI, Dante, ADAT or our revolutionary root/intensity-EQs, please take a look at our other rack mounted immersive processors.



“Everyone can now hear more consistently and clearly because they have their own space. KLANG helps in so many ways.”

Feid – Carlos Dickson — Monitor Engineer for Feid

“I don’t need any external kit for KLANG or recording, just the two cards that sit in the back of the desk and a couple of bits of ethernet! I had read an article about rock band Sigur Rós’s monitor set up and they were using a SD12 with KLANG. Everything fitted neatly into a flight case that was the same width as the desk sitting on top and I thought ‘Yep that’s how I want to roll (quite literally) this summer!’.”

Keane20 – Hannah Brodrick – Monitor Engineer for Keane20

“KLANG’s system is remarkable for its quick setup.”

Shochiku Showbiz Studio – Yuichi Goto – Sound Engineer at Shochiku Showbiz Studio

“The joy of KLANG is that we can give the musicians much more space for their mix, which is really important for a show like this when there are so many elements to each song, and you want to stay connected to the audience.”

Ministry of Sound Classical – Leigh Davies – Monitor Engineer for Ministry of Sound Classical

“I tried hard to convince them that it’s life-changing, and they just didn’t believe me—until they heard it.”

Church Unlimited – Parker Gann – System Engineer at MessengerAVL

“[…] it becomes much more user-friendly and intuitive than other systems I’ve used.”

Within Temptation – Bennie Veenstra – Monitor Engineer for Within Temptation
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